This prologue to A Fantasy Play about the soul
If chair seems peculiar to be able to substitute that biblical phrase soul for character within the materialist economy of naturalistic drama, there can be other anomalies as Strindberg works out an artistic for the atomized heart of a hysterical age, soon enough before Freud and Breuer began their notorious studies of hysteria. To get instance, there exists a good passage in the preamble just where, observing that people ended up increasingly interested in “psychological approach, ” Strindberg—whose own documents on psychology experienced been permitted Vivisections—goes on to sound, inside demystifying mode, less similar to Sigmund Freud and more just like Bertolt Brecht. “Our inquisitive souls, ” he tells, “are not really satisfied just simply to find something happen; we want to recognize how this happened. We would like to view the strings, typically the machinery, study the double-bottomed box, feel the seam throughout the magic diamond ring, glimpse at the cards in order to see where did they are marked” (57). Although a time after insisting that will theatricality reveal itself, that the device of production be subjected, and presumably picture having it, Strindberg is currently writing concerning “the technical facets of make up, ” that he possesses experimented in Miss Julie “with eliminating act divisions. ” Why? To protect, such as Nietzsche, the potential future of illusion. Or, like Strindberg puts it: “The reason is that My spouse and i trust our dwindling ability regarding accepting illusion is definitely probably further disturbed by way of intermissions during which often the spectator provides time for you to reflect and therefore escape the suggestive influence involving the author-hypnotist” (57).
So much for the Brechtian Strindberg, at the very least for the instant. For additional moments, considerably more or less alienating, so recurrently painful we might desire the A-effect, also in this hypnotic framework of the additional symbolist A Dream Play, the place that the future of illusion comes, mainly because it did at the particular end in Freud, having civilization and its discontents—if you can call that world, “this madhouse, this dungeon, this morgue of a planet, ” which in turn is how the Student sums it up inside The Cat Sonata (308) before the invocation of Buddha, the murmuring sound of a harp, the bedroom filled with white light source, and, after the whimpering of a good child, Böcklin's painting, This island then of the particular Dead, appearing in the back, using soft, calm songs, “gently melancholy” (309). There exists within A Dream Play empathy for all this, nevertheless what form of creation may this get, the Little princess plaintively requests, in which “the spirit desires various other garb / in comparison with this kind of of blood plus filth, ” while doomed, additionally, to “endless sales reps. ;-( Doing the same things over and over, ” as the Legal representative says—the compulsions in the repetitiveness by simply no stretch regarding passion what Judith Retainer has been writing around, queering the particular dispossession, the exemption and even abjection, often the unliveable along with the uninhabitable, by the repeating and citational practice connected with subversive bodily acts. Rep here—as having the pasting involving Kristine, who pastes together with pastes, “till there's nothing additional to paste” (273)—is not necessarily “performativity” but a online condition of life.
Typically the prologue to A Goal Play occur in the globe outside our planet, in which most of the play happens. This world, showed at first by way of a fortress that, phallocratically, “keeps developing up out of the particular earth, ” is in addition in different ways framed, no less than while Strindberg described it: “On the wings, which will stay in place for the entire have fun with, are special paintings representing a mix of interiors, exteriors, plus landscapes” (213). The globe from which Indra's Child descends is represented too—there is nothing, after most, outside representation, except this desire it—in the groupe which might be seen, Leo, Virgo, Libra, and shining brilliantly concerning them, the globe Jupiter very, above this “banks of atmosphere like crumbling slate foothills along with ruins of castles plus fortresses” (210). The entire world because we know it, or perhaps can come to know, is definitely a place in to which in turn one strays and falls: “a circle of gases called Earth” (211), the place in which it is definitely hard to gently breathe. Anywhere we are on earth, inside whatever play, this image regarding suffocation can be ubiquitous around Strindberg.